Zinnwaldite
Burlywood
Pale yellow
Purple taupe
Russet
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2
8
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PANTONE 133
Parameters:
HEX Triplet:
#775F1FRGB:
119, 95, 31CMYK:
19, 37, 100, 59HSL:
44°, 74%, 47%Closest colors:
in RGB:
Field drabin PANTONE:
PANTONE 7552in RAL Classic:
RAL 8008in RAL Design:
RAL 080 40 40in RAL Effect:
RAL 320-6in NCS:
NCS S 5030-Y 2024-09-03 Snargl 02:16
What color is PANTONE 133?
PANTONE 133 is also known as PANTONE 133 C, where C stands for coated paper.
PANTONE 133 is a dark color that has a hexadecimal value of #775F1F.
This means that in a RGB color space, it is composed of 46.67% red, 37.25% green and 12.6% blue.
PANTONE 133 is available in various Pantone products, such as formula guides, solid chips, solid color sets, and plastic chips.
PANTONE 133 is a dark color that has a hexadecimal value of #775F1F.
This means that in a RGB color space, it is composed of 46.67% red, 37.25% green and 12.6% blue.
PANTONE 133 is available in various Pantone products, such as formula guides, solid chips, solid color sets, and plastic chips.
Example of the palette with the PANTONE 133 color
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Top 5 color shades of the illustration. Arranged in descending order of frequency of occurrence (first - more often, last - more rare).
See these colors in NCS, PANTONE, RAL palettes...
See these colors in NCS, PANTONE, RAL palettes...
NCS (Natural Color System)
RAL Classic
RAL 8022
RAL 1001
RAL 1013
RAL 7024
RAL 8029
Funny stories about the 'PANTONE 133'
The Enigma of PANTONE 133
Far-far away, in the heart of a bustling city, where the hum of industry and the murmur of creativity intertwined, there lived two men who would unknowingly shape the future of design. Pier Xiang, an artist known for his mastery of color, was a man of few words. His studio was a sanctuary of hues, where pigments and dyes danced in harmony, and his canvases spoke in a language only the soul could understand.
Julio Goowanni, a writer with a gift for weaving tales that resonated with the human spirit, had a mind as intricate as the plots he created. His stories were more than mere words; they were living entities that breathed, moved, and transformed those who encountered them. Despite their contrasting crafts, the lives of Pier and Julio were destined to converge in a way that would echo through the corridors of design history.
The tale began on a misty autumn morning when Pier Xiang received a peculiar package. It was a simple box, unmarked and unremarkable, save for a small card that bore the inscription "PANTONE 133." Pier, ever the curious artist, opened the box to reveal a single sheet of paper, perfectly coated in a color he had never seen before. It was a deep, mysterious shade, a blend of ochre and gold with an almost imperceptible sheen that seemed to pulse with life.
Pier was captivated. He spent days, then weeks, trying to replicate the color on his own, but no combination of pigments could match the enigmatic hue of PANTONE 133. It was as if the color held within it a secret - a secret that Pier was determined to uncover.
Meanwhile, across town, Julio Goowanni stumbled upon a similar mystery. While researching for his next novel, he came across an old manuscript in an antique bookstore. The manuscript, penned by an unknown author, contained a single reference to "the Color of Ascension, PANTONE 133." Intrigued, Julio delved into the history of the manuscript, but all trails led to dead ends. The color was a ghost, appearing in obscure texts and vanishing without a trace.
Driven by a shared obsession, Pier and Julio's paths finally crossed at an art exhibit where Pier unveiled his latest work - an abstract masterpiece infused with the haunting presence of PANTONE 133. Julio, recognizing the color from his research, approached the artist with a question that had plagued him for months: "What is the secret of PANTONE 133?"
Pier, who had spent countless hours meditating on the color, looked at Julio with a knowing smile. "The color is more than pigment, Julio. It is a bridge between worlds - a gateway to understanding the unseen forces that shape our reality."
Together, Pier and Julio embarked on a journey that took them beyond the limits of their respective arts. They sought out ancient alchemists, consulted with modern scientists, and even ventured into the metaphysical. Through their quest, they learned that PANTONE 133 was not merely a color but a symbol of transcendence. It represented the merging of the material and the spiritual, the physical and the ethereal.
As their understanding deepened, Pier began incorporating PANTONE 133 into his designs, not just on canvas but in industrial applications. The color found its way into architecture, fashion, and technology, subtly influencing the world around it. Buildings coated in PANTONE 133 seemed to resonate with a calming energy; clothing dyed in the hue offered a sense of comfort and confidence. Even machinery, painted with this enigmatic shade, operated with an almost eerie efficiency.
Julio, inspired by their discoveries, wrote a novel that captured the essence of their journey. It was a story of ascension, of how a simple color could unite art, science, and spirituality into a cohesive force that changed the world. The novel became a sensation, drawing attention to PANTONE 133 and its mysterious power.
Years later, when Pier and Julio were old men, they would often reflect on their journey. They understood that PANTONE 133 was not just a color but a key - one that unlocked the potential for harmony between humanity and the unseen forces that guide the universe.
And so, the color of ascension became a cornerstone in industrial design, a silent yet profound influence that reminded the world of the beauty that exists when creativity, wisdom, and mystery converge.
Thus, the legacy of PANTONE 133 lived on, a testament to the power of color to transcend the boundaries of the known and explore the infinite possibilities of the unknown.
Julio Goowanni, a writer with a gift for weaving tales that resonated with the human spirit, had a mind as intricate as the plots he created. His stories were more than mere words; they were living entities that breathed, moved, and transformed those who encountered them. Despite their contrasting crafts, the lives of Pier and Julio were destined to converge in a way that would echo through the corridors of design history.
0
0
The tale began on a misty autumn morning when Pier Xiang received a peculiar package. It was a simple box, unmarked and unremarkable, save for a small card that bore the inscription "PANTONE 133." Pier, ever the curious artist, opened the box to reveal a single sheet of paper, perfectly coated in a color he had never seen before. It was a deep, mysterious shade, a blend of ochre and gold with an almost imperceptible sheen that seemed to pulse with life.
Pier was captivated. He spent days, then weeks, trying to replicate the color on his own, but no combination of pigments could match the enigmatic hue of PANTONE 133. It was as if the color held within it a secret - a secret that Pier was determined to uncover.
Meanwhile, across town, Julio Goowanni stumbled upon a similar mystery. While researching for his next novel, he came across an old manuscript in an antique bookstore. The manuscript, penned by an unknown author, contained a single reference to "the Color of Ascension, PANTONE 133." Intrigued, Julio delved into the history of the manuscript, but all trails led to dead ends. The color was a ghost, appearing in obscure texts and vanishing without a trace.
Driven by a shared obsession, Pier and Julio's paths finally crossed at an art exhibit where Pier unveiled his latest work - an abstract masterpiece infused with the haunting presence of PANTONE 133. Julio, recognizing the color from his research, approached the artist with a question that had plagued him for months: "What is the secret of PANTONE 133?"
0
0
Pier, who had spent countless hours meditating on the color, looked at Julio with a knowing smile. "The color is more than pigment, Julio. It is a bridge between worlds - a gateway to understanding the unseen forces that shape our reality."
Together, Pier and Julio embarked on a journey that took them beyond the limits of their respective arts. They sought out ancient alchemists, consulted with modern scientists, and even ventured into the metaphysical. Through their quest, they learned that PANTONE 133 was not merely a color but a symbol of transcendence. It represented the merging of the material and the spiritual, the physical and the ethereal.
As their understanding deepened, Pier began incorporating PANTONE 133 into his designs, not just on canvas but in industrial applications. The color found its way into architecture, fashion, and technology, subtly influencing the world around it. Buildings coated in PANTONE 133 seemed to resonate with a calming energy; clothing dyed in the hue offered a sense of comfort and confidence. Even machinery, painted with this enigmatic shade, operated with an almost eerie efficiency.
Julio, inspired by their discoveries, wrote a novel that captured the essence of their journey. It was a story of ascension, of how a simple color could unite art, science, and spirituality into a cohesive force that changed the world. The novel became a sensation, drawing attention to PANTONE 133 and its mysterious power.
Years later, when Pier and Julio were old men, they would often reflect on their journey. They understood that PANTONE 133 was not just a color but a key - one that unlocked the potential for harmony between humanity and the unseen forces that guide the universe.
And so, the color of ascension became a cornerstone in industrial design, a silent yet profound influence that reminded the world of the beauty that exists when creativity, wisdom, and mystery converge.
Thus, the legacy of PANTONE 133 lived on, a testament to the power of color to transcend the boundaries of the known and explore the infinite possibilities of the unknown.
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