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PANTONE 1265

PANTONE 1265

Parameters:
HEX Triplet:
#907127
RGB:
144, 113, 39
CMYK:
14, 36, 95, 46
HSL:
42°, 73%, 56%
Closest colors:
in RGB:
Sandy taupe
in PANTONE:
PANTONE 7559
in RAL Classic:
RAL 8001
in RAL Design:
RAL 075 50 50
in RAL Effect:
RAL 310-6
What color is PANTONE 1265? The Great Pantone Plot
2024-09-03 Snargl 02:08

What color is PANTONE 1265?

PANTONE 1265 color example: Fountain in a garden with a building in the background
Painting of a mountain village with a river running through it. Color RGB 144,113,39.
PANTONE 1265 color example: Painting of a path leading to a lake with trees and bushes on either side of it
PANTONE 1265 is a medium dark shade of yellow with a hint of brown.

It has the following color values:
  • Hexadecimal: #907127

  • RGB: 144, 113, 39

  • HSL: 42°, 73%, 56%

  • CMYK: 14%, 36%, 95%, 46%

PANTONE 1265 is used to create a warm, earthy, or rustic feel in a design.

It can also be paired with other colors to create different effects.

For example, this color can contrast well with blue or green, or harmonize with orange or red.

Example of the palette with the PANTONE 1265 color

Picture with primary colors of Shadow, Coffee, Pale copper, Pale silver and Dark jungle green
Top 5 color shades of the illustration. Arranged in descending order of frequency of occurrence (first - more often, last - more rare).
See these colors in NCS, PANTONE, RAL palettes...
NCS (Natural Color System)
NCS S 4010-Y30R
NCS S 6020-Y10R
NCS S 2030-Y80R
NCS S 2002-Y50R
NCS S 8005-B80G
RAL Classic
RAL 6013
RAL 8024
RAL 3012
RAL 7044
RAL 8022
RAL Design
RAL 080 50 20
RAL 040 30 30
RAL 050 60 40
RAL 100 80 05
RAL 160 20 20
RAL Effect
RAL 770-3
RAL 320-6
RAL 410-1
RAL 850-1
RAL 790-5
Author:
Funny stories about the 'PANTONE 1265'

The Great Pantone Plot

Far away, in the bustling city of Coloropolis, where shades and hues danced across billboards and buildings, two legendary figures were known for their vibrant contributions: Connor Takemura, a whimsical artist with a penchant for the absurd, and Professor Mustafa Chanel, a sage of color theory with a mustache as elegant as a sunset.

One sunny afternoon, as the city shimmered in hues of every conceivable color, Connor burst into Mustafa’s office, his eyes wide with excitement.

"Professor Chanel!" he exclaimed, waving a sketchbook around like a flag. "I’ve got a new idea for a trademark design that’s going to blow everyone’s mind!"

Professor Chanel adjusted his round spectacles and smiled. "Ah, Connor, my favorite artist with the most peculiar ideas. Do tell me, what’s the latest inspiration?"

Connor plopped down in the professor’s plush chair and opened his sketchbook to reveal an intricate design of swirling patterns and peculiar shapes. "It’s all about Pantone 1265."

Mustafa raised an eyebrow. "Pantone 1265? The brilliant yellow?"

"The very same!" Connor grinned. "But not just any yellow. I’m talking about a trademark that turns this bright shade into the star of the show. Imagine a logo that radiates so much energy that people can’t help but be drawn to it!"

Professor Chanel chuckled, his mustache twitching with amusement. "Connor, I do enjoy your enthusiasm. But turning yellow into the star of the show is quite a challenge. How do you plan to achieve this?"

Connor leaned in conspiratorially. "It’s simple! We’ll use Pantone 1265 as the central element and surround it with designs that make it pop. Picture this: a yellow sunburst design with a series of animated, wiggly lines that seem to dance around it. It’ll be so vibrant, it’ll practically leap off the page!"

Mustafa stroked his chin thoughtfully. "I see. You want to create an effect that makes Pantone 1265 so captivating that it becomes impossible to ignore. And how do you plan to do that?"

Connor’s eyes twinkled. "We’ll use clever typography. The letters of the trademark will be designed in a way that they look like they’re jumping out of the sunburst, like they’re in mid-air!"

Mustafa’s face lit up with understanding. "Ah, I see. By using dynamic shapes and clever placement, you’ll create a sense of movement and energy that complements the brilliance of Pantone 1265. It’s a brilliant idea!"

Connor beamed. "Exactly! And to add a final touch, we’ll incorporate a playful element. Maybe a cartoonish character, like a little sun with sunglasses, giving a thumbs up. It’ll add a touch of humor and make the design even more memorable."

Professor Chanel nodded approvingly. "A touch of humor is always a good idea. It will make the trademark not only eye-catching but also endearing. And by using Pantone 1265 as the focal point, you’ll create a design that’s both vibrant and unforgettable."

As the two continued to discuss and refine the design, the excitement in the room grew palpable. Connor’s idea, with Professor Chanel’s sage guidance, began to take shape. The final design was a masterpiece of color and creativity, with Pantone 1265 shining brightly at its center, surrounded by playful elements and dynamic typography.

When the trademark was unveiled to the public, it was met with gasps of admiration and bursts of laughter. The vibrant yellow and whimsical design captured everyone’s imagination, and the trademark became an instant hit.

And so, in the colorful city of Coloropolis, the tale of Connor Takemura and Professor Mustafa Chanel’s great Pantone plot became a legend - a story of how a brilliant yellow and a touch of whimsy could create a trademark design that was both visually stunning and delightfully amusing.
Author:

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