PANTONE 120

PANTONE 120 is also known as PANTONE 120 C, where C stands for coated paper.

It is a medium light shade of yellow, with a warm and bright appearance.

It has a hue angle of 48 degrees, a saturation of 52%, and a lightness of 97%.

In the RGB color model, it is composed of 96.86% red, 86.67% green, and 46.27% blue.

In the CMYK color model, it is composed of 0% cyan, 5% magenta, 64% yellow, and 0% black.

The hexadecimal color code for PANTONE 120 is #F7DD76.

PANTONE 120 can be used to create a cheerful and energetic mood in design projects, as it evokes the feeling of sunshine, happiness, and optimism.

It can also be paired with other colors to create different effects, such as contrast, harmony, or balance.

For example, PANTONE 120 can be combined with PANTONE 18-3838 Ultra Violet to create a vibrant and playful combination.

Alternatively, it can be matched with PANTONE 14-4102 Glacier Gray, a neutral and soothing color, to create a calm and elegant combination.

PANTONE 120 is available in various Pantone products, such as formula guides, solid chips, color sets, and plastic chips.

PANTONE 120 is a vibrant shade of yellow, radiating warmth and positivity. Often associated with happiness and sunshine, it finds its use in various industries, especially in fashion, graphic design, and interiors. Brands like McDonald's and IKEA leverage this hue to evoke feelings of cheerfulness and energy. In nature, the color is reminiscent of sunflowers and ripe bananas. Designers often pair PANTONE 120 with contrasting colors like navy blue or deep gray to achieve a striking visual impact. This versatile color not only symbolizes brightness but also fosters creativity and optimism.

Pantone 120 is a vibrant yellow that exudes warmth and positivity. To complement this sunny hue, consider pairing it with deep blues, such as Pantone 19-4052, which offers a striking contrast, evoking feelings of harmony. Neutrals like soft grays and whites can act as a refreshing backdrop, allowing the yellow to shine. Additionally, earthy tones like terracotta enhance its brightness without overwhelming it, perfect for fall-themed palettes. For a playful look, combine Pantone 120 with lively pinks or purples. These color combinations not only create dynamic visuals but also reflect a sense of joy and creativity.

Once upon a time in the bustling city of Colorville, lived an eccentric artist named Connor Moon. Known for his wild ideas and even wilder hair, his latest obsession was none other than "PANTONE 120" - a color so bright, it could give a sunflower a headache. He was convinced this color would change the world, starting with his new home decorating venture.

One fateful afternoon while working on his avant-garde masterpiece (a giant, abstract sculpture made entirely of discarded pizza boxes), Connor got a call from the glamorous top model, Donatella Black. "Connor, darling!" she exclaimed, her voice dripping with excitement, "I need your help! I want to redo my entire house, and I want it to be dazzling!"

Connor's eyes sparkled at the thought. "Leave it to me; we're going to paint everything PANTONE 120!" he declared, certain this would be the ticket to design fame. Donatella, caught up in his enthusiasm, squealed, "Yes! Yellow everywhere!"

And so, the duo embarked on their brightly colored journey. As they filled her expansive mansion with the sunniest of hues, they began with the living room. Connor hopped around like a caffeinated kangaroo, splashing yellow on every surface. Walls, furniture, and even the ceiling turned a brilliant shade of PANTONE 120.

However, within hours, the mansion started to resemble a giant lemon. Donatella glanced around, her face screaming confusion. "Connor, are you sure about this?" she asked hesitantly. "I mean, it's... bright."

"Bright is the new black, Donatella!" he proclaimed, tossing paintbrushes into the air. "This is the future of design!"

With every new room, things only intensified. The kitchen became a yellow maze, with the fridge and cabinets sporting shades to rival the sun. The dining room was adorned with PANTONE 120 tablecloths, and cheerful yellow plates, all carefully arranged to create a vibe of overwhelming happiness. Yet, to Donatella's dismay, it felt less like a chic abode and more like a fruit salad gone rogue.

Just then, catastrophe struck! Connor accidentally knocked over a bucket of PANTONE 120, which promptly cascaded down the grand staircase. It transformed the elegant white stair runner into an exclamation mark of yellow. "Oh no!" he shouted, staring as the color seeped into the carpet fibers.

"Connor!" Donatella gasped, stifling her urge to laugh out loud. "What have you done?"

"That's it! We'll call it 'Yellow Stream' and market it!" he announced with grand conviction. "It's a revolutionary, fluid art installation!"

Somehow, they managed to finish the interior, and the grand reveal came the next day. The room was so bright that the neighborhood squirrels began wearing sunglasses just to pass by her house. As the first guests arrived, their reactions were mixed. Some laughed, some cried, and a few left with squinty eyes.

A famous interior design critic, known for his scathing reviews, arrived with a bemused expression. After a lengthy gaze around the house, he enthusiastically declared, "This is the most insane use of color I've ever seen!"

Connor puffed out his chest. "Exactly! This is the future of interior design!"

One rambunctious guest, clearly overwhelmed, shouted, "I can't feel my retinas!" which sent everyone into fits of laughter. By the time the door creaked shut, every guest had begun to jest among themselves about the 'Sunshine Citadel' as they left the brightest house in Colorville.

Despite the unintended comedy, Donatella loved it. The quirky design became the talk of the town, and soon her home was featured in countless design magazines, labeled as the "quirkiest abode."

As for Connor, he reveled in the chaos of color and the joy of making people smile, even if it was through unexpected laughter. He vowed to continue his quest for the perfect shade of absurdity, teaching the world that life should be lived in radiant color - even if that color was just a tad too bright. And every once in a while, Donatella would remind him to tone it down, but only a little - because who wouldn't want to live in a lemony paradise?