PANTONE 100

PANTONE 100 is one of the 1,867 solid colors in the PMS, which are identified by a unique number and a suffix that indicates the type of paper or material on which they are printed.

In the RGB color model, this color has a red value of 252, a green value of 234, and a blue value of 118.

This means that PANTONE 100 is composed of 98.82% red, 91.76% green, and 46.27% blue.

In the CMYK color model, it has a cyan value of 0%, a magenta value of 0%, a yellow value of 56%, and a black value of 0%.

This means that PANTONE 100 is composed of 0% cyan, 0% magenta, 56% yellow, and 0% black.

In the HEX color model, it has a hexadecimal color code of #FCEA76.

PANTONE 100 has a hue value of 52°, a saturation value of 53%, and a lightness value of 99%.

It is a pastel color that can be used for various purposes, such as graphic design, fashion, home, and interiors.

This color can create a warm, cheerful, and sunny mood when used in combination with other colors.

Far-far away, in the quaint town of Chromaville, where colors danced like butterflies and hues sang lullabies, lived a whimsical artist named Rohan Ming. Rohan was renowned for his vibrant works, which could make even the most monochromatic soul smile. His studio was a kaleidoscope of creativity, filled with every conceivable shade and tint.

One autumn morning, as the leaves painted the streets in shades of amber and gold, Rohan received an unusual letter. It was an invitation to a mysterious symposium hosted by Professor Mario McLeod, a reclusive polymath and color theorist known for his eccentricities. The symposium was to be held at the Professor’s eccentric laboratory, nestled in the heart of a vibrant, ever-changing forest.

Curiosity piqued, Rohan arrived at the laboratory, which was housed in a gigantic, shifting treehouse with windows of liquid crystal. Professor McLeod welcomed him with a warm, if somewhat peculiar, handshake. "Welcome, Rohan! You’ve come at a splendidly fortuitous time."

Inside, the laboratory was a marvel of oddities. There were shelves of bottled rainbows, a sofa made of shimmering silk, and a grand piano that played chromatic scales when one sat on it. Professor McLeod, a man with twinkling eyes and a mustache that curled like question marks, led Rohan to a workbench cluttered with color samples and peculiar instruments.

"What’s the occasion, Professor?" Rohan asked, eyeing a canister labeled "Invisibly Iridescent."

"Ah, today we embark on a marvelous quest!" Professor McLeod exclaimed. "You see, we’re going to create a new color - one that has never existed before!"

Rohan’s eyes widened in amazement. "A new color? How is that even possible?"

"Ah, it’s a question of perception and blending," the Professor explained, "but we need to first understand the nature of colors that are yet to be discovered."

For hours, Rohan and Professor McLeod mixed, swirled, and experimented with various pigments. They used powders from the wings of iridescent beetles, extracts from rainbow-hued flowers, and even a sprinkle of stardust collected from falling meteors. Despite their efforts, every attempt resulted in colors that were either too familiar or too chaotic.

As twilight descended and the laboratory was bathed in soft, moonlit hues, Rohan and Professor McLeod took a break. They sat in a corner with a cup of tea brewed from enchanted blossoms that changed flavor with every sip.

"It’s like trying to find a hidden note in a symphony," Rohan mused. "You know it’s there, but you just can’t seem to play it."

Professor McLeod’s eyes sparkled. "Precisely! And sometimes, the solution lies not in what we add, but in what we let go."

Inspired, Rohan took a deep breath and let his imagination wander freely. He began painting abstract swirls and patterns on a blank canvas, allowing his intuition to guide him. As he worked, Professor McLeod carefully observed and took notes.

Suddenly, the Professor’s eyes lit up with excitement. "Rohan, look at this!"

Rohan stepped back and saw that the paint had settled into a unique, luminous shade - a brilliant, cheerful yellow that seemed to vibrate with its own light. It was neither too pale nor too bold, but perfectly balanced, with an infectious optimism that made everything around it seem brighter.

"This is it!" Professor McLeod declared. "The perfect shade of yellow!"

They named the color "PANTONE 100" after the precision of the Professor’s theories and the vivid joy of Rohan’s artistic touch. That evening, the new color was celebrated with a grand unveiling. The townspeople of Chromaville marveled at PANTONE 100, which brought a new vibrancy to their world.

And so, in the whimsical laboratory nestled in the heart of a magical forest, Rohan Ming and Professor Mario McLeod achieved the impossible. They didn’t just create a color; they added a new chapter to the story of art and science, proving that sometimes, the most extraordinary things emerge from the most curious of quests.

From then on, every time someone gazed at PANTONE 100, they remembered the unlikely duo who, with a touch of wonder and a splash of imagination, brought a new hue into existence.