Pale brown
Burnt umber
Black
Almond
Ecru
0
0
2
5
0
NCS S 4040-Y
Parameters:
HEX Triplet:
#8B6E13RGB:
139, 110, 19CMYK:
0, 23, 85, 48HSL:
46°, 86%, 55%Closest colors:
in RGB:
Sandy taupein PANTONE:
PANTONE 7559in RAL Classic:
RAL 8001in RAL Design:
RAL 075 50 58in RAL Effect:
RAL 310-6in NCS:
NCS S 4040-G90Y 2024-08-24 Snargl 02:08
What color is NCS S 4040-Y?
NCS S 4040-Y belongs to the S 4000 - S 4550 category, which consists of colors that have a blackness value of 40% and a chromaticness value of 40%.
The notation S 4040-Y means that the color is a standardized color (S) with a hue of yellow (Y).
In this case, the hue is composed of 40% yellow (Y) and 0% of the other three elementary colors.
This means that the color is a pure yellow hue, without any mixture of other hues.
The color impression of NCS S 4040-Y can be described as a dark and moderately saturated yellow color.
It is similar to the color of mustard or ochre.
The notation S 4040-Y means that the color is a standardized color (S) with a hue of yellow (Y).
In this case, the hue is composed of 40% yellow (Y) and 0% of the other three elementary colors.
This means that the color is a pure yellow hue, without any mixture of other hues.
The color impression of NCS S 4040-Y can be described as a dark and moderately saturated yellow color.
It is similar to the color of mustard or ochre.
Example of the palette with the NCS S 4040-Y color
0
0
Top 5 color shades of the illustration. Arranged in descending order of frequency of occurrence (first - more often, last - more rare).
See these colors in NCS, PANTONE, RAL palettes...
See these colors in NCS, PANTONE, RAL palettes...
NCS (Natural Color System)
NCS S 2020-G80Y
RAL Classic
RAL 1036
RAL 3013
RAL 9005
RAL 1013
RAL 1002
RAL Design
RAL 050 50 20
RAL 030 30 45
RAL 170 20 25
RAL 080 90 10
RAL 080 70 30
Funny stories about the 'NCS S 4040-Y'
The Curious Case of NCS S 4040-Y
Far-far away, in the bustling city of Chromaville, where colors were more than just hues but a way of life, lived two extraordinary individuals: Christian Ford, the eccentric inventor, and Professor Eva Chanel, the renowned color theorist. Their paths crossed in the most peculiar of ways, leading to the unexpected rise of the color NCS S 4040-Y in the world of motion design.
Christian Ford was known for his wild inventions, from self-stirring teacups to shoes that could change color with a clap. But his true passion lay in colors. One day, while experimenting in his cluttered lab, he stumbled upon a shade so vibrant and peculiar that it seemed to dance before his eyes. It was a yellow, but not just any yellow. It was the perfect blend of brightness and depth, a color that seemed to have a life of its own. He named it NCS S 4040-Y.
Meanwhile, Professor Eva Chanel was busy lecturing at the Chromaville Institute of Color Science. Her lectures were legendary, filled with tales of how colors influenced emotions and behaviors. She had a particular interest in how colors could be used in motion design to create immersive experiences. However, she had yet to find a color that truly captivated her.
One fateful day, Christian decided to present his new color at the annual Chromaville Color Expo. He set up a small booth, displaying various objects painted in NCS S 4040-Y. As people walked by, they couldn't help but stop and stare. The color seemed to draw them in, making them feel inexplicably happy and energized.
Professor Chanel, intrigued by the buzz around Christian's booth, decided to investigate. As she approached, she was immediately struck by the vibrancy of NCS S 4040-Y. It was unlike any color she had ever seen. She introduced herself to Christian, and they quickly struck up a conversation about the potential of this new color in motion design.
Christian, ever the showman, decided to demonstrate the color's potential. He pulled out a small device from his pocket, a prototype of his latest invention: the Color Animator. With a few taps, he projected a series of animations onto a nearby screen, all featuring NCS S 4040-Y. The animations were mesmerizing. The color seemed to leap off the screen, creating a sense of depth and movement that was almost hypnotic.
Eva was astounded. She had never seen a color used in such a dynamic way. She immediately saw the potential for NCS S 4040-Y in motion design. Together, they decided to collaborate on a project to showcase the color's capabilities.
They worked tirelessly, combining Christian's inventive genius with Eva's deep understanding of color theory. They created a series of short films, each one more captivating than the last. The films featured everything from dancing robots to swirling galaxies, all brought to life by the vibrant NCS S 4040-Y.
Their work quickly gained attention. Designers and artists from around the world were fascinated by the new color and its potential. NCS S 4040-Y became the talk of the town, and soon, it was being used in everything from advertisements to music videos.
But the true test came when they were invited to present their work at the International Motion Design Conference. The audience was filled with industry leaders, all eager to see what the buzz was about. As Christian and Eva took the stage, there was a palpable sense of anticipation.
They began their presentation with a simple animation, a single dot of NCS S 4040-Y that slowly expanded and morphed into various shapes. The audience was captivated. As the animation progressed, it became more complex, showcasing the color's versatility and dynamic qualities. By the end of the presentation, the audience was on their feet, applauding wildly.
NCS S 4040-Y had officially arrived. It became a staple in motion design, used by artists and designers around the world to create stunning visual experiences. Christian and Eva's collaboration had not only introduced a new color but had also revolutionized the way colors were used in motion design.
And so, in the vibrant city of Chromaville, the curious case of NCS S 4040-Y became a legend, a testament to the power of creativity and collaboration. Christian Ford and Professor Eva Chanel had shown the world that sometimes, the most unexpected discoveries can lead to the most extraordinary outcomes.
Christian Ford was known for his wild inventions, from self-stirring teacups to shoes that could change color with a clap. But his true passion lay in colors. One day, while experimenting in his cluttered lab, he stumbled upon a shade so vibrant and peculiar that it seemed to dance before his eyes. It was a yellow, but not just any yellow. It was the perfect blend of brightness and depth, a color that seemed to have a life of its own. He named it NCS S 4040-Y.
Meanwhile, Professor Eva Chanel was busy lecturing at the Chromaville Institute of Color Science. Her lectures were legendary, filled with tales of how colors influenced emotions and behaviors. She had a particular interest in how colors could be used in motion design to create immersive experiences. However, she had yet to find a color that truly captivated her.
One fateful day, Christian decided to present his new color at the annual Chromaville Color Expo. He set up a small booth, displaying various objects painted in NCS S 4040-Y. As people walked by, they couldn't help but stop and stare. The color seemed to draw them in, making them feel inexplicably happy and energized.
Professor Chanel, intrigued by the buzz around Christian's booth, decided to investigate. As she approached, she was immediately struck by the vibrancy of NCS S 4040-Y. It was unlike any color she had ever seen. She introduced herself to Christian, and they quickly struck up a conversation about the potential of this new color in motion design.
Christian, ever the showman, decided to demonstrate the color's potential. He pulled out a small device from his pocket, a prototype of his latest invention: the Color Animator. With a few taps, he projected a series of animations onto a nearby screen, all featuring NCS S 4040-Y. The animations were mesmerizing. The color seemed to leap off the screen, creating a sense of depth and movement that was almost hypnotic.
Eva was astounded. She had never seen a color used in such a dynamic way. She immediately saw the potential for NCS S 4040-Y in motion design. Together, they decided to collaborate on a project to showcase the color's capabilities.
They worked tirelessly, combining Christian's inventive genius with Eva's deep understanding of color theory. They created a series of short films, each one more captivating than the last. The films featured everything from dancing robots to swirling galaxies, all brought to life by the vibrant NCS S 4040-Y.
Their work quickly gained attention. Designers and artists from around the world were fascinated by the new color and its potential. NCS S 4040-Y became the talk of the town, and soon, it was being used in everything from advertisements to music videos.
But the true test came when they were invited to present their work at the International Motion Design Conference. The audience was filled with industry leaders, all eager to see what the buzz was about. As Christian and Eva took the stage, there was a palpable sense of anticipation.
They began their presentation with a simple animation, a single dot of NCS S 4040-Y that slowly expanded and morphed into various shapes. The audience was captivated. As the animation progressed, it became more complex, showcasing the color's versatility and dynamic qualities. By the end of the presentation, the audience was on their feet, applauding wildly.
NCS S 4040-Y had officially arrived. It became a staple in motion design, used by artists and designers around the world to create stunning visual experiences. Christian and Eva's collaboration had not only introduced a new color but had also revolutionized the way colors were used in motion design.
And so, in the vibrant city of Chromaville, the curious case of NCS S 4040-Y became a legend, a testament to the power of creativity and collaboration. Christian Ford and Professor Eva Chanel had shown the world that sometimes, the most unexpected discoveries can lead to the most extraordinary outcomes.
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