NCS S 4020-Y80R

NCS S 4020-Y80R is a dark, medium-saturated, yellowish-red color that is standardized by the NCS system.

It has the following properties:

• This color has a chromaticness of 20%, and a blackness of 40%.

• NCS S 4020-Y80R has a hue of Y80R, which means it is a yellowish-red color that is closer to red than to yellow.

• The hue angle is 10° on the NCS color wheel.

• It has a lightness of 56%, and a saturation of 44%

Long time ago, far away, in the bustling city of Neo-Tokyo, where skyscrapers kissed the clouds and neon lights painted the night, lived an entrepreneur named Pier Yamamoto. Pier was known for his innovative spirit and his relentless pursuit of perfection in design. His latest obsession was a color - NCS S 4020-Y80R, a deep, rich crimson that seemed to pulse with life.

Pier had always believed that colors could evoke emotions and transform spaces. He envisioned a world where this particular shade of crimson would redefine aesthetics, bringing warmth and vibrancy to the cold, metallic cityscape. However, he needed a breakthrough, a way to showcase this color in a manner that would captivate the world.

Enter Hubert Lantern, a humble cleaner who worked in Pier's towering office building. Hubert was an unassuming man, but he possessed a keen eye for detail and an innate understanding of beauty. Every evening, as he cleaned the offices, he would pause to admire Pier's sketches and prototypes. He saw potential in Pier's vision that even Pier himself had not yet realized.

One night, as Pier was burning the midnight oil, Hubert approached him with a hesitant smile. "Mr. Yamamoto, if I may, I have an idea that might help you with your project."

Pier, intrigued by the cleaner's boldness, nodded for him to continue.

Hubert explained, "I've noticed that your designs, while beautiful, lack a certain... human touch. The color is stunning, but it needs to be experienced, not just seen. What if we used it in a way that people could interact with?"

Pier was taken aback. He had never considered the perspective of someone outside his field. "Go on," he urged.

Hubert proposed a series of installations throughout the city - interactive art pieces that would allow people to engage with the color. He suggested using the crimson hue in public spaces, blending it with textures and materials that would invite touch and exploration. The installations would be placed in parks, subways, and even on the sides of buildings, creating a city-wide gallery that celebrated the color.

Inspired by Hubert's vision, Pier set to work. He collaborated with artists, architects, and engineers to bring the installations to life. The first piece was unveiled in a central park - a massive, undulating structure covered in crimson tiles that shimmered in the sunlight. People flocked to it, drawn by its beauty and the tactile experience it offered.

As more installations appeared across the city, the impact was profound. The color NCS S 4020-Y80R became synonymous with Neo-Tokyo's new identity. It brought warmth to the cold urban environment, fostering a sense of community and connection among the city's inhabitants.

Pier's company thrived, but he never forgot the man who had sparked this revolution. He promoted Hubert to a position where he could continue to contribute his unique insights, and the two became close collaborators and friends.

The story of Pier Yamamoto and Hubert Lantern became a legend in Neo-Tokyo, a testament to the power of collaboration and the belief that inspiration can come from the most unexpected places. Together, they had not only transformed a city but had also shown the world the true potential of a single, stunning color.

And so, the Crimson Revolution began, changing the way people perceived and interacted with their environment, one shade of red at a time.