Teal blue
Pale blue
Caput mortuum
Cadet grey
Turkish rose
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NCS S 1510-B80G
Parameters:
HEX Triplet:
#C6E7DERGB:
198, 231, 222CMYK:
25, 0, 15, 6HSL:
164°, 14%, 91%Closest colors:
in RGB:
Gainsboroin PANTONE:
PANTONE 317in RAL Classic:
RAL 9002in RAL Design:
RAL 170 90 10in RAL Effect:
RAL 720-1in NCS:
NCS S 0530-B70G 2024-09-04 Snargl 01:10
What color is NCS S 1510-B80G?
Example of the palette with the NCS S 1510-B80G color
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Top 5 color shades of the illustration. Arranged in descending order of frequency of occurrence (first - more often, last - more rare).
See these colors in NCS, PANTONE, RAL palettes...
See these colors in NCS, PANTONE, RAL palettes...
NCS (Natural Color System)
RAL Classic
RAL 5007
RAL 9010
RAL 3005
RAL 7001
RAL 3014
Funny stories about the 'NCS S 1510-B80G'
The Neon Dilemma
Long time ago, in the heart of the bustling metropolis of Lumina, where skyscrapers gleamed with every hue imaginable, a unique dilemma was brewing. The city was known for its extravagant designs and flashy innovations, but none could have predicted the spectacle that was about to unfold.
Marc Yamamoto, an eccentric artist with an affinity for the obscure, had recently stumbled upon an oddity: the "NCS S 1510-B80G" color. This color, a peculiar shade of blue-green, was so intense it seemed to defy the usual laws of hue and light. Marc was convinced that this color was not just a visual treat but an entirely new way to perceive art.
His idea? Transform Lumina's drab, gray subway stations into an immersive, mind-bending experience using this bewildering color. He envisioned stations that looked like portals to other dimensions - vivid, surreal, and utterly captivating.
Monica Lantern, the city's most celebrated top model, was often the face of avant-garde fashion and artistic endeavors. Her latest gig involved being the face of Marc's subway transformation project. She was intrigued by Marc's unorthodox vision and agreed to be the muse and model for the promotion.
As the project kicked off, Marc and Monica became a dynamic duo. Marc painted the subway stations with the NCS S 1510-B80G color, creating optical illusions that made commuters question their sanity. Walls appeared to shift, floors seemed to float, and the overall effect was a psychedelic journey through a neon dreamscape. Monica, draped in clothing dyed with the same color, posed dramatically in the midst of the installations. Her outfits, reflecting the color’s iridescence, created an otherworldly aura.
The grand unveiling was a spectacle. As the public descended into the newly transformed stations, they were met with gasps of astonishment. Some swore they saw strange creatures lurking in the corners, while others felt as if they were walking through a holographic wormhole. The installations were so overwhelming that many commuters missed their trains, completely entranced by the kaleidoscopic experience.
Monica’s role was to interact with the amazed crowds, but her vivid outfit seemed to blend seamlessly with the surroundings, creating a whimsical game of hide-and-seek. People began to recognize her as part of the art installation itself, sparking a craze where fans would try to spot Monica amidst the color-blasted chaos.
However, the true magic happened when the station's fluorescent lights began to flicker. The NCS S 1510-B80G color started to interact with the lights in unpredictable ways, creating a strobe effect that amplified the surreal experience. The subway stations transformed into pulsating, rhythmic canvases. The public found themselves not just observers but participants in an ever-changing, living art piece.
The project was a resounding success. Marc and Monica had managed to transform a mundane aspect of urban life into an extraordinary, sensory journey. The NCS S 1510-B80G color became the talk of the town, celebrated for its ability to turn everyday spaces into mind-bending spectacles.
In the end, Marc’s peculiar obsession with a single color had redefined the concept of urban design, and Monica Lantern’s dynamic involvement had elevated it to a new level of artistic interaction. Lumina’s subway stations were no longer just transit points; they were now portals to an infinite world of color and imagination.
And as for Marc and Monica? They continued to collaborate, exploring new ways to harness the magic of color, forever chasing the next brilliant anomaly to dazzle and delight their vibrant city.
Marc Yamamoto, an eccentric artist with an affinity for the obscure, had recently stumbled upon an oddity: the "NCS S 1510-B80G" color. This color, a peculiar shade of blue-green, was so intense it seemed to defy the usual laws of hue and light. Marc was convinced that this color was not just a visual treat but an entirely new way to perceive art.
0
0
His idea? Transform Lumina's drab, gray subway stations into an immersive, mind-bending experience using this bewildering color. He envisioned stations that looked like portals to other dimensions - vivid, surreal, and utterly captivating.
Monica Lantern, the city's most celebrated top model, was often the face of avant-garde fashion and artistic endeavors. Her latest gig involved being the face of Marc's subway transformation project. She was intrigued by Marc's unorthodox vision and agreed to be the muse and model for the promotion.
As the project kicked off, Marc and Monica became a dynamic duo. Marc painted the subway stations with the NCS S 1510-B80G color, creating optical illusions that made commuters question their sanity. Walls appeared to shift, floors seemed to float, and the overall effect was a psychedelic journey through a neon dreamscape. Monica, draped in clothing dyed with the same color, posed dramatically in the midst of the installations. Her outfits, reflecting the color’s iridescence, created an otherworldly aura.
0
0
The grand unveiling was a spectacle. As the public descended into the newly transformed stations, they were met with gasps of astonishment. Some swore they saw strange creatures lurking in the corners, while others felt as if they were walking through a holographic wormhole. The installations were so overwhelming that many commuters missed their trains, completely entranced by the kaleidoscopic experience.
Monica’s role was to interact with the amazed crowds, but her vivid outfit seemed to blend seamlessly with the surroundings, creating a whimsical game of hide-and-seek. People began to recognize her as part of the art installation itself, sparking a craze where fans would try to spot Monica amidst the color-blasted chaos.
However, the true magic happened when the station's fluorescent lights began to flicker. The NCS S 1510-B80G color started to interact with the lights in unpredictable ways, creating a strobe effect that amplified the surreal experience. The subway stations transformed into pulsating, rhythmic canvases. The public found themselves not just observers but participants in an ever-changing, living art piece.
The project was a resounding success. Marc and Monica had managed to transform a mundane aspect of urban life into an extraordinary, sensory journey. The NCS S 1510-B80G color became the talk of the town, celebrated for its ability to turn everyday spaces into mind-bending spectacles.
In the end, Marc’s peculiar obsession with a single color had redefined the concept of urban design, and Monica Lantern’s dynamic involvement had elevated it to a new level of artistic interaction. Lumina’s subway stations were no longer just transit points; they were now portals to an infinite world of color and imagination.
And as for Marc and Monica? They continued to collaborate, exploring new ways to harness the magic of color, forever chasing the next brilliant anomaly to dazzle and delight their vibrant city.
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