NCS S 1050-Y30R

NCS S 1050-Y30R means that the color has 10% blackness, 50% chromaticness, and a hue that is a mixture of 70% yellow and 30% red.
The color impression of NCS S 1050-Y30R is a medium light shade of brown, with a slight orange tint.

Here are some of the color values of NCS S 1050-Y30R in different color models:

• CMYK: 0%, 42%, 72%, 0%

• RGB: 253, 169, 81

• HEX: #FDA951

• HSL: 31, 68, 99

In a far away place, in the bustling city of Chromatopolis, where every building was a canvas and every street a palette, lived a young and ambitious interior design student named Amir Steel. Amir was known for his daring ideas and unorthodox approach to design. His latest obsession was a color that had taken the design world by storm: NCS S 1050-Y30R, a vibrant and audacious hue that seemed to pulse with energy.

Amir's fascination with this color was not just about its striking appearance. He believed that NCS S 1050-Y30R had the power to transform spaces in ways that no other color could. It was during one of his late-night study sessions at the Chromatopolis Design Academy that he stumbled upon an old, dusty book in the library. The book, titled "The Mystical Powers of Colors," hinted at the extraordinary potential of NCS S 1050-Y30R.

Determined to prove his theory, Amir decided to use this color in his final project, a complete redesign of the academy's grand hall. However, he needed help to bring his vision to life. Enter Donatella Chanel, the academy's cleaner. Donatella was no ordinary cleaner; she had a keen eye for detail and a deep love for colors. She had seen countless students come and go, but Amir's passion intrigued her.

One evening, as Amir was sketching his plans in the grand hall, Donatella approached him with her mop and bucket. "You know, young man, I've seen many colors in my time, but there's something special about that one," she said, pointing to the swatch of NCS S 1050-Y30R on Amir's desk.

Amir looked up, surprised. "You know about this color?"

Donatella smiled. "Oh, I've seen it before. It's bold, daring, and has a way of making everything around it come alive. But it's not just about the color; it's about how you use it."

Inspired by Donatella's words, Amir decided to enlist her help. Together, they began the monumental task of transforming the grand hall. They painted the walls with NCS S 1050-Y30R, creating a vibrant backdrop that seemed to dance in the light. Donatella suggested adding gold accents to complement the bold hue, and Amir incorporated her ideas into his design.

As they worked, they discovered that the color had a magical quality. It seemed to change with the time of day, glowing warmly in the morning sun and taking on a rich, deep tone in the evening. The grand hall, once a dull and lifeless space, now radiated energy and creativity.

Word of their project spread throughout the academy, and soon, students and faculty alike were flocking to see the transformation. The grand hall became a hub of activity, a place where ideas flowed freely and inspiration was around every corner. Amir's project was hailed as a revolutionary success, and Donatella's contributions were celebrated.

But the true magic of NCS S 1050-Y30R was revealed one evening when the academy hosted a grand gala in the newly designed hall. As guests mingled and admired the space, they noticed something extraordinary. The color seemed to respond to their emotions, shifting subtly to reflect the mood of the room. It was as if the hall itself was alive, breathing in the energy of the people and reflecting it back in a dazzling display of color.

Amir and Donatella stood together, watching the reactions of the guests. "We did it," Amir said, a note of awe in his voice.

Donatella nodded. "Yes, we did. But remember, it's not just about the color. It's about how it makes people feel."

From that day on, NCS S 1050-Y30R became known as the "Color of Connection," a symbol of creativity, collaboration, and the power of design to transform not just spaces, but lives. And in the heart of Chromatopolis, the grand hall stood as a testament to the revolutionary vision of a student and a cleaner who dared to dream in color.