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NCS S 1002-B

NCS S 1002-B

Parameters:
HEX Triplet:
#E3E8EA
RGB:
227, 232, 234
CMYK:
4, 0, 0, 10
HSL:
197°, 3%, 92%
Closest colors:
in RGB:
Platinum
in PANTONE:
PANTONE 649
in RAL Classic:
RAL 9001
in RAL Design:
RAL 270 90 05
in RAL Effect:
RAL 110-1
What color is NCS S 1002-B? The Chromatic Revolution: The Tale of NCS S 1002-B
2024-08-24 Snargl 02:10

What color is NCS S 1002-B?

Room with a desk and a computer on it with a fish tank in the background. Example of #E3E8EA color.
NCS S 1002-B color. Large building with a lot of windows on it's side in the middle of a street with people walking around
Woman in a white dress is standing in a tunnel. Example of NCS S 1002-B color.
Suit and tie on a mannequin in a store window display case with lights in the background. Color NCS S 1002-B.
NCS S 1002-B can be described as follows:
  • The letter S stands for standardized, meaning that the color is part of the NCS standard collection of 1950 colors.

  • The first four digits 1002 indicate the nuance of the color, which is composed of blackness and chromaticness.
    In this case, the color has 10% blackness, 2% chromaticness, and a blue hue.

To summarize, NCS S 1002-B is a very light and pale blue color with low saturation and brightness.

It is similar to the RAL color code 9003 Signal white, but with a slight bluish tint.

Example of the palette with the NCS S 1002-B color

Picture with primary colors of Platinum, Dark lava, Cadet blue, Black and Bazaar
Top 5 color shades of the illustration. Arranged in descending order of frequency of occurrence (first - more often, last - more rare).
See these colors in NCS, PANTONE, RAL palettes...
Author:
Funny stories about the 'NCS S 1002-B'

The Chromatic Revolution: The Tale of NCS S 1002-B

Long time ago, in the bustling city of Chromapolis, where colors danced in the air and buildings shimmered with hues unseen anywhere else, lived two extraordinary individuals: Zahir Chen, a visionary artist, and Professor Stella Jacobs, a brilliant scientist. Their paths were destined to cross in the most unexpected and revolutionary way.

Zahir Chen was known for his avant-garde motion designs that seemed to leap off the screens and into the hearts of viewers. His studio was a kaleidoscope of colors, but there was one shade he had yet to master: NCS S 1002-B, a color so elusive and enigmatic that it was said to hold the key to the ultimate visual experience.

Professor Stella Jacobs, on the other hand, was a renowned expert in color theory and quantum chromodynamics. Her research had led her to discover the unique properties of NCS S 1002-B, a color that existed in a state of perpetual flux, capable of interacting with human emotions in unprecedented ways. However, she had yet to find a practical application for her discovery.

One fateful day, Zahir stumbled upon an article about Stella's research. Intrigued by the potential of NCS S 1002-B, he reached out to her, proposing a collaboration that could change the world of motion design forever. Stella, excited by the prospect of seeing her work come to life, eagerly agreed.

Their first meeting was a whirlwind of ideas and excitement. Zahir's studio was transformed into a laboratory of creativity, with Stella's scientific equipment mingling with Zahir's artistic tools. They worked tirelessly, experimenting with different ways to incorporate NCS S 1002-B into Zahir's designs.

After weeks of trial and error, they finally had a breakthrough. By using a combination of quantum particles and advanced motion capture technology, they managed to stabilize NCS S 1002-B, allowing it to be used in motion design. The result was nothing short of magical.

Their first project was a short film titled "The Chromatic Symphony." As the film began, viewers were immediately captivated by the fluidity and depth of the colors. NCS S 1002-B danced across the screen, shifting and changing in response to the music and the emotions of the characters. It was as if the color had a life of its own, drawing the audience into a world where reality and imagination intertwined.

The film was an instant sensation. Critics hailed it as a masterpiece, and audiences were left in awe of the new dimension of visual storytelling. Zahir and Stella's collaboration had not only revolutionized motion design but had also opened up new possibilities for the use of color in art and technology.

As their fame grew, so did the demand for their work. They were invited to showcase "The Chromatic Symphony" at film festivals around the world, and soon, other artists and designers began experimenting with NCS S 1002-B. The color became a symbol of innovation and creativity, inspiring a new generation of creators to push the boundaries of what was possible.

Despite their success, Zahir and Stella remained humble, always seeking new ways to explore the potential of NCS S 1002-B. They continued to collaborate, each project more ambitious than the last, always driven by their shared passion for color and motion.

In the end, their story was not just about a revolutionary color but about the power of collaboration and the endless possibilities that arise when art and science come together. Zahir Chen and Professor Stella Jacobs had not only changed the world of motion design but had also shown that with imagination and determination, anything was possible.

And so, in the vibrant city of Chromapolis, where colors danced and dreams came to life, the legend of NCS S 1002-B and its creators lived on, inspiring all who dared to dream in color.
Author:

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