Rich carmine

Rich carmine is a deep red color that has a slight purple tint.

It is similar to the color of some rubies or the pigment used in art and fashion.

This color is also called Chinese carmine.

The hexadecimal code for rich carmine is #D70040, which means it has 84.31% red, 0% green, and 25.1% blue in RGB.

In CMYK, it has 0% cyan, 100% magenta, 70% yellow, and 16% black.

Far away, in the bustling city of Amsterdam, where canals crisscrossed like veins of creativity, lived two unlikely friends: Anna Xiang, a design student with a flair for the unconventional, and Hubert Goowanni, a factory worker with a hidden passion for colors. Their paths crossed in the most unexpected way, leading to a story that would be told in design circles for years to come.

Anna was in her final year at the Amsterdam School of Arts, known for her bold projects that often left her professors both baffled and impressed. Her latest assignment was to create an interior design concept using a color that was considered challenging to work with: Rich Carmine. This deep, vibrant red was notorious for overpowering spaces and clashing with other colors. But Anna saw it as an opportunity to push boundaries.

One rainy afternoon, while searching for inspiration, Anna wandered into an old factory on the outskirts of the city. The factory, once a hub of textile production, was now a shadow of its former self. It was here she met Hubert, a burly man with a gentle demeanor, who was in charge of maintaining the old machinery.

"Looking for something?" Hubert asked, noticing Anna's curious gaze.

"I'm a design student," Anna replied. "I'm working on a project with Rich Carmine, and I thought this place might spark some ideas."

Hubert's eyes lit up. "Rich Carmine, you say? That's a color with a lot of character. I might have something that could help you."

He led Anna to a dusty storage room filled with rolls of fabric in various shades. Among them was a roll of Rich Carmine velvet, its color still vibrant despite the years.

"This fabric was once used for making luxurious drapes," Hubert explained. "But it was too bold for most clients. Maybe you can give it a new life."

Anna's mind raced with possibilities. She decided to incorporate the fabric into her design, but she needed more than just drapes. She needed a story, a concept that would make Rich Carmine the star of the show.

Over the next few weeks, Anna and Hubert worked together, transforming the old factory into a living canvas. They used the Rich Carmine velvet to create striking accent walls, upholster vintage furniture, and even as a backdrop for a series of abstract paintings. Hubert's knowledge of the factory's history and Anna's creative vision blended seamlessly, resulting in a space that was both nostalgic and avant-garde.

The final touch was a chandelier made from repurposed factory parts, painted in Rich Carmine and suspended from the ceiling like a jewel. It cast a warm, inviting glow that tied the entire design together.

When the project was unveiled, it was met with awe and admiration. Anna's professors praised her for her daring use of color and her ability to transform a challenging hue into a cohesive and captivating design. The story of the old factory and its rebirth through Rich Carmine became a legend among the students.

As for Anna and Hubert, their collaboration sparked a lifelong friendship. They continued to explore the world of design together, always finding new ways to challenge conventions and celebrate the beauty of the unexpected.

And so, the Rich Carmine Conundrum became a testament to the power of creativity, collaboration, and the magic that can happen when you dare to see the world in a different light.